Kodak EasyShare Z950 Review Image

Kodak EasyShare Z950 Review Image

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Introduction

The Kodak EasyShare Z950 is the latest compact camera to feature a 10x zoom lens. Providing a focal range of 35-350mm, the Kodak Z950 makes up for its lack of wide-angle capability by offering a wealth of features for beginners and more experienced photographers alike. These include built-in optical image stabilization to reduce camera shake, fast maximum apertures of f/3.5 at 35mm and f/4.8 at 350mm, a large 3 inch LCD screen and 12 megapixel sensor. Kodak’s Smart Capture feature automatically identifies the scene in front of you and adjusts camera settings accordingly, while program auto, aperture priority, shutter priority, and manual modes cater for the keen snapper. HD quality video at 30 fps with sound and on-camera editing completes the overall package. The Kodak EasyShare Z950 retails for £199 / $279 – Gavin Stoker finds out if it can challenge the likes of the Panasonic DMC-TZ7, Canon PowerShot SX200 IS and Samsung WB550.

Ease of Use

Despite a run of innovative digital imaging products in the late 90s and early Noughties, Kodak is undoubtedly not the first brand that springs to mind when looking to purchase your next digital camera. Aiming to hopefully change that is a newly released 10x image stabilised Schneider-Kreuznach Variogon optical zoom Z-series model in the Easyshare Z950.

Pitched against the likes of the TZ series from Panasonic, thanks to a 35-350mm equivalent range in 35mm film terms, it’s priced at what initially appears to be a very reasonable £199 in the UK. Especially so, as the metal and plastic mix build camera feels reassuringly rugged and chunky, the Kodak offering a still portable weight of 223g without battery or card.

Comfortably tactile rubber padding at front and back – reminiscent of the keypad of an old ZX Spectrum PC – enables a good, firm grip when shooting handheld. One-handed operation is possible, though gripping in both feels altogether more secure – and preferable to help avoid camera shake when shooting at maximum telephoto. Encouragingly, with an all-black finish the camera suggests itself as one of Kodak’s more serious propositions of late. It certainly doesn’t look or feel like a budget model.

That’s not to suggest in any way that the Z950 isn’t beginner friendly. The 12-megapixel compact incorporates Kodak’s Smart Capture technology, a variation of intelligent auto that automatically recognises scenes and adjusts focus, flash, and exposure to achieve optimum results if simply pointing and shooting. In fact, Kodak is promoting this camera with the tagline ‘shoot like a pro without knowing what an f stop is’.

That sounds like an audacious claim given the entry-level pricing and that the rest of its spec list is merely what’s nowadays expected; functions includes face detection, a 3-inch, 230k dot resolution LCD monitor in the absence of an optical viewfinder, selectable light sensitivity ranging from ISO100 through ISO3200 if you don’t mind a resolution drop to 3.1 megapixels if accessing that highest setting, lithium ion battery, 32MB internal memory, plus SD or SDHC card compatibility. No removable is supplied out of the box however.

We do however get MPEG-4 compression format high definition quality 1280×720 pixels video (not quite Full HD 1920×1080 pixels) at a very respectable frame rate of 30fps, offering up to a maximum 29 minutes per sequence, depending of course on available data storage capacity.

Kodak EasyShare Z950 Kodak EasyShare Z950
Front Rear

Surprisingly for the Z950’s price point and user-friendly features we also get multi pattern, centre weighted and spot metering, along with a full compliment of creative controls in program, aperture priority, shutter priority and manual. As expected, these are accessed via a top plate mode dial the size of a halfpenny or five cent piece. Partly recessed into the top plate, as, we guess, part of an attempt at minimalist design, there’s just enough standing proud to turn it between finger and thumb. Also providing a degree of hands on control are five on-board colour modes: high colour, low colour, natural colour, black and white plus sepia.

In review mode, images can be magnified up to 8x to check fidelity of detail; it’s pretty much clear immediately which are suffering from camera shake. Unsurprisingly this Kodak camera also features a ‘share’ button to earmark individual images for instant printing via a PictBridge compatible device or email, when the camera is connected to your desktop via USB lead.

While the above comprises the Z950’s main features, let’s take a tour of the camera to see how it measures up as regards control layout, intuitiveness, build, and real world handling and performance.

Starting at the front – or business end – the faceplate, itself mixing rubber plastic and metal, is dominated by the large aforementioned zoom lens, stored almost flush to the body when not in use and extending by roughly an inch and a half when it is.

Top right of this is a window for the AF assist and self-timer lamp, and to the left a rectangular window for the flash. In practice, as the flash is located so close to the grip, it’s easy for the middle finger to accidentally ‘wander’ in front of both it and the microphone imbedded directly below. It’s not the only such compromised offender however – and is preferable to fingers straying in front of the actual lens, as is a constant issue with Sony’s T-series Cyber-shots.

The top plate of the Kodak, typically for the family-friendly brand, features a well-spaced, clearly designated array of controls. At the far right, next to an eyelet for attaching the provided wrist strap is the shutter release button, encircled by a springy rocker switch for the zoom with large protruding lip that, like the button itself, easily catches the pad of your forefinger.

It’s similarly easy to determine the shutter release’s halfway point, the Z950 emitting a ‘dink’ sound and the central AF area highlighting in green to confirm focus and exposure have been determined and the user can proceed to take the shot.

Whilst this process isn’t lightning fast, it’s perfectly adequate for its mass user target audience – even if busy scenes, particularly in low light, can cause some confusion. However go on to take the picture and there’s little in the way of shutter delay, the screen blanking out briefly and then displaying the captured image while it’s being written – a process taking a slightly leisurely 3-4 seconds for a maximum resolution, least compression JPEG.

Kodak EasyShare Z950 Kodak EasyShare Z950
Top Side

To the left of the shutter release button, if looking down on the camera, is a trio of identically sized buttons – the first two calling up flash and self timer functions, the third being the power button. Press this and the camera readies itself for action in a very respectable time of just under two seconds, lens barrel extending to maximum wideangle setting and the clear rear LCD blinking into life.

When the camera is active, the aforementioned flash and self timer symbols on the top plate are illuminated, as is the indicator next to the mode wheel – the next control we come to – and, rather more visibly, an HD symbol over to the far left. Taking pictures at night on London’s sound bank therefore had me feeling slightly self-conscious and a possible target for muggers.

Next along on the top plate is the main shooting mode dial, which, again is surprisingly feature-packed for an inexpensively priced model, with nine options to choose from. As well as full auto, users are rewarded with the creative quartet of program, aperture priority, shutter priority and manual modes. In any of these creative modes, the basic screen info is supplemented by an additional toolbar running across the bottom of the display. Via this, users can manually adjust ISO settings between 100-1600, swap between auto, manual, macro and infinity focus settings, tweak exposure, plus in manual mode itself, additionally shutter speed and aperture. Again, all this from a 12 megapixel, 10x optical zoom camera a penny shy of £200. You have to pinch yourself.

Next to these is a camcorder-like icon for the Z950’s video mode. As our sample HD video clips show, the Kodak has trouble in attempting to adjust focus for moving subjects – drifting drunkenly in and out – though maximum frame rate ensures a smooth replay and the MPEG4 compression format (as opposed to AVCHD) no compatibility issues. What’s more, the full extent of the zoom can be accessed whilst recording – it doesn’t merely freeze at the point it was set to before filming commenced. Apart from top 1280×720 pixels resolution, users can opt for 640×480 or 320×240 pixels depending on end usage.

The last three modes on the dial are for sports, panorama, and scene. The latter presents 17 pre-optimised setting options, including the regulars of beach, snow, and fireworks alongside a les familiar option for photographing performers on stage – whereby flash is disabled and brightness levels boosted. As the user alights on each of these options with a nudge of the directional joystick that falls under the thumb on the camera back, a brief text bubble pops up with a two-line description as a form of on-screen user guide.

Moving to the back of the camera then, this is inevitably dominated by the large LCD in the absence of any optical viewfinder. We’ve been spoilt recently by screens on compacts with the resolution more commonly fund on digital SLRs, and against these the visibility provided by the Z950’s 230k dots is decidedly average – inevitably suffering in strong late summer sunlight. But then, what can you expect for a mere £199?

To the right of the screen is a row of slender function keys running top to bottom, momentarily recalling the much-loathed ‘piano’ keys previous found on Samsung’s NX series of compacts. Thankfully, Kodak’s are marked with icons, though curiously, the dedicated button for deleting images more closely resembles an upright baby’s bottle than the familiar trashcan icon – although the latter appears on screen when you press said control. A slightly odd bit of design there then.

Kodak EasyShare Z950 Kodak EasyShare Z950
Memory Card Slot Battery Compartment

Next down we get what resembles a page of text that sure enough calls up the Z950’s on-screen menu folders, which in their straightforward layout – albeit with nicely animated graphical headings – are at least immediately user friendly and so easily navigated.

The third button down, marked with a lower-case ‘i’ is, naturally enough, one for ‘info’. If shooting in auto mode, a press of this button merely turns off the basic information at the top of the screen – selected shooting and flash modes, resolution, number of shots remaining – to provide a ‘clean’ image. However, if shooting in the more hands-on creative modes, a further press will bring up a live histogram in addition to the rest of the on-screen info. Again, this camera costs just £199.

The last of the four buttons to the right of the screen is for playback. While a press of this provides the option to review saved images, a press of the menu button in this mode brings up the usual range of options, plus Kodak’s auto enhancing ‘Perfect Touch’ technology. Apply this to an image – which works most effectively in lifting detail from shadow areas and evening out exposure – and either the new image is saved alongside the original, or the latter can be overwritten. Neat.

Staying on the camera back, right of the screen is a built in speaker, beneath which is the aforementioned four-way directional joystick for tabbing through and implementing settings – the latter requiring a firm, direct press, which can occasionally make for fiddly operation. Still, said joystick is reasonably large and ridged to avoid your thumb slipping and the camera scooting past the setting you actually required.

Beneath this is the familiar – to the Kodak range – red ‘share’ button, a press of which earmarks images as favourites and works in tandem with EasyShare software supplied on CD ROM when the camera is attached to a PC via USB cable. Our natural instinct to avoid being molly-coddled means we tend to ignore this hand-holding option entirely and use a card reader instead, as truthfully, the quality of an image can’t be accurately assessed via LCD screen alone.

Speaking of which, are pictures from the Kodak Z950 really good enough to fool the user into thinking they’ve been shooting like a pro, or does the camera prove true to its price tag and deliver distinctly amateur offerings?

We’ll find out in a minute, but first there’s the side mounted rubber flap covering power-in and AV/USB out ports to point out, plus the tripod screw thread at the base and sliding hard plastic cover ably protecting the lithium ion rechargeable battery and adjacent slot for removable media card. The EasyShare Z950 therefore comes across as all the camera you’d reasonably expect… and a little bit more.

Kodak EasyShare Z950 Review Image

Kodak EasyShare Z950 Review Image

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Image Quality

All of the sample images in this Review were taken using the 12 megapixel Fine JPEG setting, which gives an average image size of around 2Mb.

Although the Kodak EasyShare Z950 performed well under most conditions, we’d be remiss not to be picky in our assessment. Therefore we’ll point out that we had some occasional issues with the Z950’s grasp of white balance – or rather its slender grasp, being somewhat inconsistent from shot to shot, and daylight images at times being imbued with a blue-ish/turquoise colour cast like a faded postcard from the 1970s. This appeared to reach its nadir when implementing the ‘High Colour’ option amongst the camera’s shooting settings – the alternatives being the default of ‘Natural Colour’, plus ‘Low Colour’, black and white or sepia. That said it’s easy enough to delete duff images, recompose the shot and simply shoot again.

Since, with a widest setting of 35mm Kodak isn’t exactly stretching itself, the camera doesn’t suffer from barrel distortion or problems associated with wider angle lenses. If you want to get more into shot, you just have to take a few steps back, and we can live with that. Inevitably there’s some pixel fringing evident between areas of high contrast, but it’s only on close inspection and we’d be shocked if it wasn’t. Again, it’s certainly no deal breaker.

In terms of ISO performance, the Kodak Z950’s picture quality gets noticeably softer the further you progress up the range of light sensitivity settings as noise reduction kicks in, smoothing out detail to avoid grain. Though noise is kicking into shadow areas as low as ISO 200, even by ISO 800 it’s not at ruinous levels, and, if you can steer clear of ISO 1600, the results won’t disappoint too harshly.

Noise

There are 5 ISO settings available on the Kodak EasyShare Z950. Here are some 100% crops which show the noise levels for each ISO setting:

ISO 100 (100% Crop)

ISO 200 (100% Crop)

   

ISO 400 (100% Crop)

ISO 800 (100% Crop)

   

ISO 1600 (100% Crop)

 
 

Focal Range

The Kodak EasyShare Z950’s 10x zoom lens provides a focal length of 35-350mm in 35mm terms, as demonstrated below.

35mm

350mm

Sharpening

Here are two 100% crops which have been Saved as Web in Photoshop. The right-hand image has had some sharpening applied in Photoshop. The out-of-the camera images are soft at the default sharpening setting and benefit from some further sharpening in a program like Adobe Photoshop. You can also change the in-camera sharpening level to suit your tastes via the Sharpness option in the main menu.

Original (100% Crop)

Sharpened (100% Crop)

   

Chromatic Aberrations

The Kodak EasyShare Z950 handled chromatic aberrations well during the review, with some purple fringing present around the edges of objects in certain high-contrast situations, as shown in the examples below.

Example 1 (100% Crop)

Macro

The Kodak EasyShare Z950 offers a Macro setting that allows you to focus on a subject that is 12cms away from the camera when the lens is set to wide-angle. The first image shows how close you can get to the subject (in this case a compact flash card). The second image is a 100% crop.

Macro Shot

100% Crop

Flash

The flash settings on the Kodak EasyShare Z950 are auto, off, fill, and red-eye reduction. These shots of a white coloured wall were taken at a distance of 1.5m.

Flash Off – Wide Angle (35mm)

Flash On – Wide Angle (35mm)

ISO 64 ISO 64
   

Flash Off – Telephoto (350mm)

Flash On – Telephoto (350mm)

ISO 64 ISO 64

And here are some portrait shots. As you can see, neither the Flash On or the Red-eye Reduction settings caused any amount of red-eye.

Flash On

Flash On (100% Crop)
   

Red-eye Reduction

Red-eye Reduction (100% Crop)

Night

The Kodak EasyShare Z950’s maximum shutter speed is 16 seconds, which is good news if you’re seriously interested in night photography. The shot below was taken using a shutter speed of 1/2 second at ISO 400. I’ve included a 100% crop of the image to show what the quality is like.

Night Shot

Night Shot (100% Crop)

Kodak EasyShare Z950 Review Image

Kodak EasyShare Z950 Review Image

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Sample Images

This is a selection of sample images from the Kodak EasyShare Z950 camera, which were all taken using the 12 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

Sample Movie

This is a sample movie at the highest quality setting of 1280 x 720 pixels at 30 frames per second. Please note that this 22 second movie is 35.7Mb in size.

Kodak EasyShare Z950 Review Image

Kodak EasyShare Z950 Review Image

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Product Images

Kodak EasyShare Z950

Front of the Camera

 
Kodak EasyShare Z950

Front of the Camera / Turned On

 
Kodak EasyShare Z950

Front of the Camera / Turned On

 
Kodak EasyShare Z950

Isometric View

 
Kodak EasyShare Z950

Isometric View

 
Kodak EasyShare Z950

Rear of the Camera

 
Kodak EasyShare Z950

Rear of the Camera / Image Displayed

 
Kodak EasyShare Z950

Rear of the Camera / Main Menu

 
Kodak EasyShare Z950

Top of the Camera

 

Kodak EasyShare Z950

Bottom of the Camera

 
Kodak EasyShare Z950
Side of the Camera
 
Kodak EasyShare Z950
Side of the Camera
 
Kodak EasyShare Z950
Memory Card Slot
 
Kodak EasyShare Z950
Battery Compartment

Kodak EasyShare Z950 Review Image

Kodak EasyShare Z950 Review Image

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Specifications

Standard features
Sensor type 1 / 2.33 type
Effective pixels 12 MP (4024 × 3012)
Lens 35–350 mm (35 mm equiv.) f/3.5–f/4.8 SCHNEIDER-KREUZNACH VARIOGON Optical Zoom Lens
Zoom 10X optical, 5X advanced digital, total zoom range 50X
Image stabilizer optical
Shutter speed
  • 1/8–1/1250 sec. (auto)
Monitor 3 in. high resolution (230K dots), 5 level brightness adjustments
Storage 32 MB internal memory [1] available, SDHC/SD card expansion slot
Auto focus
Focus Type TTL imager AF system
Modes normal, macro, infinity, manual
Focus range
  • wide standard: 0.5 m–infinity
  • tele standard: 1.2 m–infinity
  • wide macro: 0.12–0.6 m
  • tele macro: 0.6–1.3 m
Auto focus control single, continuous
Auto focus zones TTL multi-zone, center zone AF
AF (Auto Focus) assist light yes
Exposure control
ISO sensitivity auto, 100, 200, 400, 800, 1600, 3200 [2]
Metering modes multi-pattern, center-weighted, spot
Compensation ±2.0 EV with 1/3 EV steps
Bracketing ±1.0 EV with 1/3 EV steps, 3 images
White balance auto, daylight, tungsten, fluorescent, open shade
Flash
Range
  • 5.4 m (@ wide, ISO 400)
  • 3.9 m (@ tele, ISO 400)
Modes auto, off, fill, red-eye reduction
Compensation ±1.0 EV in 1/3 steps
Shooting specifications
Drive modes single shot, first and last burst (up to 3 images), self-timer (10 sec.), delay shutter (2 sec.), 2-shot self-timer
Shooting modes Smart Capture, high ISO, sport, P (program), A (aperture priority), S (shutter priority), M (manual), panorama (left–right, right–left), video, SCN (scene modes)
Scene modes portrait, night portrait, landscape, night landscape, flower, sunset, backlight, candlelight, manner/museum, text, beach, snow, fireworks, children, self-portrait, stage
Click to capture < 0.3 sec.
Shot to shot < 1.5 sec
Still capture
Still format JPEG/EXIF v2.21
Picture size
  • 12.0 MP (4000 × 3000)—4:3
  • 10.7 MP (4000 × 2264)—3:2
  • 9.0 MP (4000 × 2256)—16:9
  • 6.0 MP (2832 × 2128)—4:3
  • 3.1 MP (2048 × 1536)—4:3
  • 2.2 MP (1800 × 1200)—3:2
  • 2.1 MP (1920 × 1080)—16:9
  • 1.2 MP (1280 × 960)—4:3
Color modes high color, natural color, low color, sepia, black and white
Sharpness high, normal, low
Review options single, magnification with navigation box, multi-up, multi-field search, slideshow, multimedia slideshow, histogram
Editing on-camera crop, KODAK PERFECT TOUCH Technology, voice annotation
File management delete, undo delete, copy, protect, text tagging, one-button upload
Video capture
Format QUICKTIME MPEG-4
Quality
  • HDV (1280 × 720) at 30 fps
  • VGA (640 × 480) at 30 fps
  • QVGA (320 × 240) at 30 fps
Length
  • HDV: continuous up to 29 min. based on memory card capacity
  • VGA/QVGA: continuous up to 80 min. based on memory card capacity
Review options play, rewind, pause, fast-forward and rewind, forward and rewind by frame, multi-up, multimedia slideshow, multi-field search bookmarks
Editing make a picture from video, action print (4, 9, 16-up), trim
File management delete, undo delete, copy, protect, text tagging, one-button upload
Customization
Custom settings LCD brightness (5 levels), date stamp (on/off), image storage, capture frame grid (on/off), image stabilizer control, red-eye, quick view (on/off), advanced digital zoom, orientation sensor, sound, volume, date & time, auto power off, video out, language, reset camera
Sharing
Share button yes
Physical specifications
I/O interface digital (USB 2.0 high speed) connector for data and video
Power Kodak Li-Ion Rechargeable Digital Camera Battery KLIC-7003; optional AC adapter
Dedicated buttons
  • Top: power, shutter with zoom ring, mode dial, drive, flash
  • Back: joystick, info, menu, review, delete, Share
Tripod mount ¼ in. standard
Dimensions W × H × D: 4.3 × 2.6 × 1.4 in.
Weight 8.2 oz (223 g) (without SD card and battery)
Compatibility
Direct printing PictBridge-enabled
Software works with KODAK EASYSHARE Software

Kodak EasyShare Z950 Review Image

Kodak EasyShare Z950 Review Image

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Conclusion

It’s perhaps the case with this latest Kodak that if you don’t expect too much you’re bound to be pleasantly surprised – and after what feels like a run of distinctly average (though typically fairly priced and pitched) showings from the brand, we were.

The Kodak EasyShare Z950 is that rarest of beasts, a beginner friendly digital camera with a budget price that nevertheless provides a fair amount of room to grow courtesy of a regular complement of manual controls and tweak-able settings. Given that, we can almost excuse the fact that it’s image quality is variable on occasion – although better than expected results are achievable with ideal conditions at your disposal.

Indeed ‘better than expected’ sums up our feelings about the Z950 over our test period.

It’s been a long time since we’ve come across a Kodak camera that, for the price, seems to pretty much have it all: 12 megapixel stills, 10x optical zoom range, relatively compact dimensions, sophisticated styling, ruggedly substantial build, a full complement of manual controls alongside the fully automatic, plus high definition movies that make the most of the extent of the camera’s broad (for its class) focal range. Therefore we’re happy to flag up the Kodak EasyShare Z950 as a best buy.

4 stars

Ratings (out of 5)
Design 4
Features 4
Ease-of-use 4
Image quality 3.5
Value for money 5

Kodak EasyShare Z950 Review Image

Kodak EasyShare Z950 Review Image

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Main Rivals

Listed below are some of the rivals of the Kodak EasyShare Z950.

Canon PowerShot SX200 IS

Canon PowerShot SX200 IS Review thumbnail

The Canon PowerShot SX200 IS is a new 12 megapixel, 12x compact digital camera. Offering a versatile focal range of 28-336mm, 3 inch LCD screen, 720p HD movies, and full range of shooting modes for both beginners and pros alike, the SX200 IS wants to be your do-it-all, take-everywhere pocket companion. But can the Canon PowerShot SX200 IS beat the current travel zoom king, the Panasonic Lumix DMC-TZ7? Read our in-depth review to find out which one deserves a place in your camera bag…

Casio EX-H10

Casio EX-H10 Review thumbnail

The Casio EX-H10 is the latest pretender to the travel-zoom digital camera throne. Offering a 10x, 24-240mm zoom lens, large 3 inch LCD, and 720p HD movies in a pocketable body, the EX H10 is clearly challenging the likes of the Panasonic TZ7 / TZ6, Canon SX200 IS and Sansung WB550. Mark Goldstein discovers if the Casio EX-H10 has what it takes in our World-exclusive review…

Olympus mju 9000

Olympus mju 9000 Review thumbnail

The Olympus mju 9000 (also known as the Stylus 9000) is a new travel-zoom compact camera. Offering a 10x, 28-280mm lens in a pocketable camera, the mju 9000 also features a 12 megapixel sensor, 2.7 inch LCD screen, 1cm macro mode and 5fps shooting (at 3 megapixels). Priced at £310 / $349.99 and available in black and blue, the Olympus mju 9000 is certainly up against some tough competition, principally the Panasonic Lumix DMC-TZ7 and Canon PowerShot SX200 IS. We find out if the mju 9000 has what it takes to beat them…

Panasonic Lumix DMC-TZ7

Panasonic Lumix DMC-TZ7 Review thumbnail

The Panasonic Lumix DMC-TZ7 is a brand new entry in the travel-zoom camera category. Sporting a 12x, 25-300mm lens with optical image stabilisation, 3 inch LCD screen, 720p HD movies and 10 megapixels, the Panasonic TZ7 promises to be the ultimate do-it-all pocket camera. Available in silver, black, brown, blue and red for £349 / $399, does the TZ7 succeed? Read our in-depth, real-world review complete with image samples, videos, test shots and more…

Panasonic Lumix DMC-TZ6

Panasonic Lumix DMC-TZ6 Review thumbnail

The Panasonic Lumix DMC-TZ6 is a new entry in the travel-zoom camera market. Offering a 12x, 25-300mm lens with optical image stabilisation, 2.7 inch LCD screen, WVGA (848×480) movies and 10 megapixel sensor, the Panasonic TZ6 is the well-appointed cheaper sibling of the TZ7 model that we recently raved about. Available in silver and black for £269 / $299, is the TZ6 a worthy alternative? Find out by reading out latest expert review…

Samsung WB500

Samsung WB500 Review thumbnail

The Samsung WB500 (also known as the Samsung HZ10W) is a compact pocketable camera with a 24mm ultra wide-angle, 10x optical zoom lens. The 10 megapixel WB500 has some impressive features, including a 720p HD movie mode, 2.7 inch LCD screen, manual shooting, and not forgetting that 24-240mm lens. Priced at $299.99 / £229, Mark Goldstein finds out if the Samsung WB500 / HZ10W is worth considering.

Samsung WB550

Samsung WB550 Review thumbnail

The new Samsung WB550 (also known as the Samsung HZ15W) is the first camera in the World to feature a 24mm ultra wide angle, 10x optical zoom lens. A direct competitor to the Panasonic TZ series of cameras, the 12 megapixel WB550 has some impressive features, including 720p HD movie mode, 3 inch LCD screen, manual shooting mode, and not forgetting that 24-240mm lens. Priced at $329.99 / £299, Gavin Stoker discovers if the Samsung WB550 / HZ15W really can depose the TZ king…

Kodak EasyShare Z950 Review Image

Kodak EasyShare Z950 Review Image

Mac users, we’re pleased to announce Macphun’s all-in-one photo editor Luminar is now available for just $69£52

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Review Roundup

Reviews of the Kodak EasyShare Z950 from around the web.

digitalcamerareview.com »

In 2003 I bought my first digital camera, a chunky, two megapixel Kodak CX6230. I wasn’t interested in anything too demanding – just a reliable snapshot camera – and the Kodak met my needs well. Its pictures were bright and colorful and it was easy to use. The 12 megapixel Kodak Easyshare Z950 is a much better camera and has many advanced features, but it still has an ease of use that was important to me back when I was first becoming interested in digital photography.
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Kodak EasyShare Z950 Review Image

Kodak EasyShare Z950 Review Image

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SOURCE:http://www.photographyblog.com/reviews/kodak_easyshare_z950_review